A.G. Olmstead Closes ANE with Memories of Jimmy Rodgers
[from August 2008]
Remember Peach Pickin’ Time In Georgia? In The Jailhouse Now? Keep On The Sunnyside? California Zephyr? Or Gonna Sing, Sing, Sing?
If you love the songs of Jimmie Rodgers, the Carter Family and Hank Williams, Sr. then you’ll revel in the Atlantic National Exhibition’s Closing Concert by A.G. Olmstead & His Old Time String Band tomorrow night, Aug 31, 8 to 10 p.m., on their Building One main stage.
Hailed as a new Jimmie Rodgers on CBC Radio One interviews and concert segments and by leading Nashville session players, who thrilled A.G. when several volunteered to back him on a debut CD a year ago.
“I grew up knowing most of the older artists’ repertoires,” A.G. told me early this spring, “especially Jimmie Rodgers’ because Dad played his records almost every night. Jimmie was his favourite singer and I guess he just naturally became mine, too.”
And, although Jimmie was born in Mississippi and A.G. (Adam to his friends) far north of the Mason-Dixon line in our Maritimes, with St Stephen now his home base, he does sound a lot like the ‘father of country music.’ Even the songs A.G. writes have a Rodgersesque feeling that is nostalgic. Songs about trains, tragedies, drinking and home that he’ll mix with old favourites in concert!
And, although A.G. never railroaded as Jimmie did, he’s has worked blue collar jobs, built logging and construction roads, rambled and lived in many of the same parts of the US that Rodgers did.
At 15, A.G. left NB for a US school with a music curriculum, after graduating, busked for three years in New York where Rodgers was formally signed by RCA, then spent three years playing California clubs, then a three year residency in Texas which was Jimmie’s favourite state and where he lived during his years of great fame. Then travels in Europe, followed by a tour of our Canadian west, a year back home writing and refocusing. Then two years in Nashville, playing clubs, haunting recording label offices, sitting in on jams and backstage parties, getting to know a lot of musicians, some very famous, although he didn’t realize that at the time. Then a recording session at O’Banyon’s Terrace Studio, and a CD of a dozen songs that he’d penned, produced by Alan O’Bryant and recorded, mixed and mastered by Tim Roberts, two prestigious names.
And, amazingly, one of the Nashville based musicians who backed A.G. on that recording, Chris Henry, is making the trip up to play mandolin with A.G.’s band Friday! Chris’s high energy vocals and blistering mandolin solos bring audiences to their feet every where! And Toronto’s Foggy Hogtown Boys fiddler John Showman, a 2004 Juno nominee is joining them: On upright bass there’s Sam Petite who plays with two renowned Toronto string bands. And on banjo NB’s multi-instrumentalist and 2005 ECMA nominee, Al Scott.
In my childhood, Wilf Carter was the only Canadian I heard on radio
From October 28, 1983
Any examination of Canadian Country Music would have to take into account the enormous influence of early American Country performers. In my childhood, Wilf Carter was the only Canadian I heard on radio; later of course by 3 years came Hank Snow,then Don Messer with Charlie Chamberlain, Duke Neilson and Ned Landry, but all the rest were US singers, morning, noon, suppertimes and late nights. Soap operas and The Happy Gang ( they were happily, Canadian) took up radio afternoons and into the evening dramas and comedy sketches the length of the diual from 7 p.m. to midnight. There was Fibber McGee and Molly, The Shadow, Amos and Andy and all other fabulous situation character epics that made up radio’s golden age.
Early mornings, in Eastern Canada, you could hear the WLS National Barndance stars such as Linda Parker, Bob Atcher and Bonnie Blue Eyes from six a.m.; perhaps you could hear them earlier but that’s when my father usually turned the radio on and I awoke and knew I had another hour before I had to get up for school.
At noon there were live or transcribed US country music shows and at suppertime, mixed with the news broadcasts, nearly every station had a request country music program.
There were singers like Jimmy Rodgers, Hank Snow’s avowed patron saint for whom he named his only son, Jimmy Rodgers Snow and Gene Autry who made” Silver Haired Daddy of Mine” a stock song of nearly every country singer in Canada. There was blind Georia-born tenor Riley Puckett, whose many solo recordings included “Rock All Our Babies to Sleep”, later recorded by WIlf Carter and which is reputed to be the first disc to feature a country yodeller. Gid Tanner’s Skillet Lickers created an international hit with “Down Yonder” and Jimmy Davis gave the world “You are My Sunshine” and won an election as Governor of Louisiana in 1944 with it. He inscribed it indelibly in every Canadian country singer’s repertoire for many years to come.
Then late at night there was WWVA Wheeling with all-night disc jockeys and live music mixed. Saturday nights were special; that’ is when you could tune in the great WWVA World’s Original Jamboree with such top country personalities as Doc Williams whose “Old Brown Coat And Me” was recorded by many Canadians; Wilma Lee and Stoney Cooper who made “Walking My Lord to Calver’s Hill a show finale with many Canadian travelling groups; Lulu Belle and Scotty who wrote and recorded “Good Old Mountain Dew”, “Have I Told You Lately That I Love You” and other great international country favourites.
Earlier on Saturday Night there was the Duke of Paduca, Amer’ca’s crown prince of country comedy and the inspiration for many Canadian travelling shows comedians; Judy Canova had her own radio program and who became the prototype of numerous standup girl comediennes both American and Canadian; Red Foley the first country star to have his own US network TV show.
Countless great US country music stars crowded the dial including the Grand Ole Opry with Roy Acuff who made the “Wabush Cannonball” as well known in Canada as in the US. (I’ve even heard a Norton area place name version of it.), Ernest Tubb, a Jimmy Rodgers disciple who arranged Hank SNow’s Grand Ole Opry debut and those two early bands, the Crook Brothers and the Fruit Jar Drinkers who inspired and influenced the creation of many early Canadian country bands. There was an endless procession of performers, each possessing his own magic. Never to be forgotten either are the National Barndance Saturday night roster, Patsy Montana, the girl who wrote “I ant To Be A Cowboy’s Sweetheart” and was the inspiration of a host of Canadian girl singers such as Terry Parker and Marie King. Irene was Arky The Arkansaw Woodchopper who sang many lumberjack songs familiar to Eastern Canadians and America’s favourite comedian for two decades, and on and on.
How could any single Canadian fledgling country singer not have been influenced by them? It would only have been possible to escape the i9nfluence if he or she had been raised in a completely isolated backwoods area without radio or phonograph.
I lived in a veyr rural section of N.B., ten miles by horse and wagon to the nearest town. Neither electric lights nor pavement reached us but the telephone did. We had the last phone on the line and it was my job toi run up Jordan mountain and “hollar” the message across to our neighbours.
Yet we did have a battery radio, one of the old timers, operated by a pack of telephone “round cells” . And we had entertainment over it that not even the King of England or the most wealthy potentate in the east could have commanded 30 years earlier in spite o their power and riches.
That was the first wave of American influence, you might say, the radio wave.
Then there were the movies….the “B” Western was 100 per cent American.
Ken Maynard was the first cowboy to sing on the silver screen. The songs he did were rough, rowdy renderings of authentic western plain songs such as “Get Along little doggie”, “The Trail to Mexico” and “Home On The Range”, songs almost every Canadian was soon singing.
He was followed quickly by Gene Autry,. Maynard featured Autry in his first movie rold “In Old santa Fe” (1934). He brought to celluloid the rest of the Jimmy Rodgers school of song writing and singing with professionally written songs, professionaloly staged and sung with phantom strings and choruses that seemed to issue from the sagebrush, probably from a vand of hidden Cherokees.
After him came a host of others, including Roy Rogers, Jimmie Wakely, Tex Ritter, Dick Foran and many more. There had to be a musical interlude or two in all these movies. It seemed to be an unwritten law; it was part of the receipe of success. Those who couldn’t sing pressed the services of Bob Nolan ( a boy who grew up in N.B, and who wrote “Tumbling Tumbleweeds” “Cool Water”, “Wanderers of the Wasteland” and dozens of other classic western songs) and the Sons of the Pioneers, or Roy Williams and the Riders of the Purple Sage, or a number of other groups of their kind who, in the guise of cowpunchers or dance hall performers, would gather at the round-up campfire or the parlor social hour to sing the latest western hits or a newly composed song the group had written for the occasion.
How could anyone not be influenced? Nearly every radio program record and movie bore the “made in the USA” stamp and most Canadians consumed a large portion of them daily.
Big Little Book – Dick Tracy and the Man with no Face
In the 1970’s, the CBC-TV long lived, weekly panel show Front Page Challenge featured a mystery object segment that had special significance for me, as I’m sure it did for many of my generation across Canada. The object, as it turned out, was The Big Little Book, a children’s publishing phenomenon of the 1930’s and 40’s.
I forget whether the question stumped the panel or not but it was apparent, afterwards, that the aging, often crabby Gordon Sinclair remembered them fondly. He had been trying to acquire a few, he said, and although he’d been offering $50 each for any in good condition he’d only found six.
Even then, some 30 years ago, they were as scarce here as hen’s teeth…almost! And so, I’d found in years of seeking, they’d become in the US as well.
Yet in the late 30’s through the 40’s just about every kid I knew of my age in Sussex had a collection of them. They were small, about 4 ½ x 3 ½ inches, yet quite thick, 352 to 432 pages usually. The best of the several companies that produced books in similar formats were the originators, Whitman Publishing Company of Racine, Wisconsin. They sold in Canada for 15 cents each. Most of us traded them with friends regularly but all of us had favourites we kept as part of permanent collections.
The genuine Big Little Book was the brain child of Sam Lowe, president of Whitman’s sales division. Lowe had in the 1920’s persuaded F.W. Woolworth Company and other retail store giants to sell children’s books all year, not only during the Christmas season as had been their practice. Books for pre-teens were a mainstay of Whitman’s, a wing of Western Printing and Lithographing Company, who also manufactured jigsaw puzzles and board games.
Big Little Books – Mickey Mouse and Dick Tracy
In 1932, after conceiving the idea of a ‘cube’ book sized to fit a school kid’s pocket, Lowe named them The Big Little Book, and had the company’s art department make prototypes of three titles with either a drawing or a still photo from a movie on the right pages and story text facing on the left. Lowe took those three prototypes to New York City and returned a few days later with orders for 25,000 books, without one even having been printed.
For exciting subject matter, Lowe entered into contracts with motion picture giants like Walt Disney, MGM, RKO and several daily comic strip syndicates making Whitman’s the first company ever licensed to reproduce daily and weekend comic strip characters such as Mickey Mouse Donald Duck, Dick Tracy, Flash Gordon, Buck Rogers, Little Orphan Annie and such movie stars as Katharine Hepburn, Tom Mix, Buck Jones, Ken Maynard and many others in any standard book form. Big Little Books were, therefore, the progenitor of comic books which did not make an appearance until a couple of years later.
Little Books – Charlie Chan, Captain Midnight and Tarzan
John Harmon, publisher of several Nostalgia Catalogues over the years, says: “Personally I liked Big Little Books better than comics. They were real books, those Big Little Books. Although kid’s called comics ‘comic books’, when they came on the market, they weren’t really books at all…not like Big Little Books.”
And, while parents frowned on comics during those dark depression and war years, because of the fact Whitman, along with Saalfield and other publishers who adapted similar formats, ‘novelized’ comics, movies, classics and original stories, they were accepted as having a certain literary value. Aunts and uncles could, without any pang of conscience, give them as Christmas and birthday presents to nieces and nephews, even depression impoverished parents could feel good about giving a couple to their children on such occasions by the same reasoning, and to watch their eyes light up at the sight of those excitingly colourful covers. Although only 15 cents they were presents that most kids loved and read with delight.
When I think of how many of them existed in a town the size of Sussex, where I grew up, it’s hard to believe that in the half century since the last ‘real’ Big Little Books, or Better Little Books as Whitman’s called them after 1938 (since Saalfield’s had named their line, confusingly, Little Big Books), were published they have become such rare finds even in antique stores.
A Moncton internet book dealer told me recently of getting $137 US for The Shadow and The Ghost Makers, a very common one among students in my early school years. I remember, however, trading three Big Little Books and 18 comic ‘books’ to an older student for a Shadow and The Living Death copy that was really rare by that time, toward the end of World War Two.
At the time of the Front Page Challenge flashback I had about 170 of them and have added more since. Dedications in many ‘previously owned’ copies I’ve acquired like ‘To Vernon from Marguerette, May 19/35, Happy Birthday’ bear out the fact that they were a very popular gift even then in NB and for years after.
I bought my first Better Little Book, King Of The Royal Mounted and The Great Jewel Mystery (written by Romer Grey from an outline by his father Zane Grey), in 1939 while I was in Grade One at Sussex Consolidated School. A next door neighbour’s daughter, Myrtle Goold, who had started school that same year, told me an interesting story about that purchase at our 50th Graduation Reunion in 2000. The year before she’d been in Sussex visiting relatives, and passing the town’s Broadway Café saw an old friend, Frances Helyar whom she’d worked with in Hamilton, Ontario, seated at a table inside.
a4brightsmall Little Books – Buck Jones, Red Ryder, the Lone Ranger and Tom Mixhtsmall
Surprised, she went in and gasped: “Frances whatever are you doing in this part of the world?” Frances explained that she’d moved to Saint John some years before to try and make a living singing in clubs and other venues. She’d recently released a CD.
“Gee, I went to school here with a guy who writes about music in The Telegraph- Journal,” Myrtle told her. “You should talk with him.”
Frances explained she knew me and I’d already written about her. Myrtle told her she’d been with me the day I’d bought my first book.
“His mother gave him ten cents to buy a Montreal Standard,” she said, “but Gamblin’s Drug Store had sold out of them, so he went across to Stedman’s, put a nickel he had with the dime and bought a book.”
That was the first of quite a few Big Little Books I purchased at Stedman’s until wartime measures late in 1940 cut most book imports. The next year, however, a wall of used ones appeared in Van Wart’s Restaurant on Broad Street in Sussex and I began stopping there often on my way home from school. They’d bought ‘a trunk load of ’em’ at a second hand store in Boston, Mr. Van Wart told me, and he’d decided to sell them for a nickel each since his family had all read them.
Another vivid memory of mine concerning those Big Little Books is the morning in 1946 that Everett Lounsbury, head of the Sussex Cheese and Butter Company’s ice cream division, took his big La Salle limousine out of their garage for the first time since war-time rationing of gas was imposed and drove Mrs. Lounsbury, their daughter Grace, son Fred, a mutual friend Raymond Thorne and I to Moncton. In Eaton’s we discovered the first display of new Better Little Books we’d seen in five years and I bought three: a Buck Rogers, a King Of The Royal Mounted and a Tailspin Tommy, in a new series called ‘All Picture’ which dispensed with novelizing in favour of comic word balloons. I didn’t realize until months later that these had actually been printed in 1942 before the US itself, feeling the pinch of war following Pearl Harbour, had curtailed all such printing and distribution. And, because of our Canadian embargos before that, they had never been for sale in Canada until that week.
When new Better Little Books began to appear later that year, increased publishing costs had bought about a format change. The books were now a regular 327 pages instead of the 429 that had been the norm since 1936. By the 50’s new titles had ceased to be issued as the television age filled much of a child’s leisure time.
A talk I had recently with a book dealer here in Saint John sent me on a computer search for information on the Whitman Publishing Company and I was astounded at the wealth of Big Little Book knowledge and lore to be found on the world-wide net. There’s even a collective you can join, The Big Little Book Club, by writing them at PO Box 1242, Danville, CA 94526, USA and enclosing $18 in US funds. The club holds show and sell meetings from time to time, mostly in Texas and California, but there was one recently in Maine. Members receive six issues of the Big Little Times newsletter yearly, are given access to continuously updated club books for sale listings and several other perks.
And here is something to watch for! A new omnibus hitting book stores in mid-December 2004, The Big Big Little Book Book: An Overstreet Photo Journal Guide by Arnold T. Blumberg, published by Gemstone Publishing will have 2000 photos of Big Little Books in colour, a perfect gift for holidays and birthdays for those of us who remember them so nostalgically.
The sad part of this is that Whitman no longer publishes children’s books and Western no longer exists. On the other hand the first Big Little Book published by them, The Adventures of Dick Tracy can fetch $2000 in mint condition, so be sure to check your family’s attic. No, I haven’t got one, but I sure wish I’d tucked away a dozen or two.
“Watson get out of the water! You’ve got your new clothes on! Your father is gonna kill you!”
These were the words we heard before we could even see the dam and river. But, I’m getting ahead of my story…you have to understand certain things first!
In Sussex from at least the 1930’s to the early 1950’s the favourite unofficial rink in Sussex was a stretch of quiet water above the filtration plant dam on Trout Creek. The dam created a deep pool about 30 feet wide which, because it was not as free-flowing as other river channels within the town, was always the first to freeze over in late fall..
It was the rink where most of us in that area got our early hockey instruction from older kids, no coaches or referees, seldom an audience. My apprenticeship began at eight when my grandfather bought me my first pair of tube skates. That was 1942; until then my skating had been done with bob-skates on garden patches of ice.
Like most everyone who played on ‘the river’ in those years I couldn’t afford a pair of shin pads or hockey gloves until my final years of high school. Just buying a stick and an occasional puck bent my budget and most of us still have bumps and scars as reminders of those happy days when we’d play from early morning to after dark Saturdays and Sundays and almost every afternoon after school when the weather permitted.
It was pick-up hockey with usually ten or more aside but with a number of those always ‘temporarily winded’ or recovering from minor injuries ‘off ice’ it made the number on each side usually just about right…a couple of defense men, a goalie and a number of forwards. Anyone coming late to ‘the game’ was picked up alternatively by the sides.
The big problem with the location, however, was losing pucks. All we ever had at the dam end as a barrier were wide planks on their edges and pucks lifted over a foot high that missed the net went over the dam and were usually not retrievable until the ice broke up in late March or April and water levels dropped. Those who took the time to fish them out became the suppliers of pucks the next fall but that stockpile usually ran out as all of them, of course, could ever be found, washed downstream and under banks. I remember one year retrieving 38 of them myself and others found some as well.
But the biggest thrill of all any fall was to be ‘first on the ice.’ You sort of felt you owned that river rink for the next few months if you were. But qualifying for that honour was not without its dangers as some found out. Thankfully there was never a fatality, but there were nail-biters.
I lived on Magnolia Avenue from 1939 until a couple of years after high school, a street that at our mid-stretch, had only a government yard and shed…a long tin covered structure housing bridge materials and road maintenance machines… between it, the river and dam. Winter Street which parallels Main in that part of Sussex ends right across from where the filtration plant and the dam once existed.
One afternoon I was walking home from school with Delbert Thorne, a friend in my class who lived on what was then the far end of Magnolia Avenue in the last of what were, originally, identical houses called the Seven Sisters. When we reached the end of Winter Street Delbert said suddenly: “It’s been pretty cold the last few nights, lets see if the river has iced up yet.”
As it turned out his sudden thought proved providential. We crossed the Avenue, walked along the side of the filtration plant and rounded the end of the tin shed to see a sight that afterwards the four of us would laugh about but could have easily ended in tragedy. Paul Watson who lived nearby had broken through the ice and was holding on to the edge. He was a grade younger than we were and his next door neighbour, a year younger than him, was running around yelling “Watson, get out of the water! You’ve got your new clothes on! Your father is gonna kill you!”
Well, Delbert and I quickly got a plank from the lumber piles in front of the shed, and between the three of us we were able to get Paul out, dripping and cold but uninjured. Paul’s father owned a fairly successful hardware and had taken him and his brother to Saint John recently for new winter outfits, one of which Paul was wearing. As the neighbour, who was his constant companion in those days, said he’d been so concerned about what Paul’s father was going to do to him he just hadn’t thought about helping him get out and, well, he knew Paul was a good swimmer.
That was the big danger of being ‘first on’: the dream of being that year’s celebrity could result in a quick cold splash back to reality. And if any of us had, unfortunately, gone through and came up under the ice we would have met the same fate as the young hockey player in Stephen King’s Dead Zone. If you’ve read that book or seen the movie that scene may already have come to mind.
My own icy water baptism occurred a couple of years later but not during a try at being the ‘first on.’ When it snowed we… us kids…would shovel off our river rink but when a thaw came and the river refroze with shale and ridges, as it sometimes did, we’d borrow a force pump with hoses from the filtration plant and flood the tennis court across the river in O’Connell Park.
One Saturday morning, after a late Friday night of hockey by moonlight I overslept, wolfed down breakfast, pulled on a jacket and hat, grabbed my skates, stick, a couple of pucks and ran across the open space…where the new Sussex Public Library now stands…which led directly to the river a few hundred feet upstream from the dam, jumped down. Unfortunately a few days of higher temperatures had weakened the ice under the snow and I was in water up to my waist before I knew it and still sinking. Luckily my reflexes were much faster then than they are now and I was able to catch an overhanging tree limb and pull myself out.
Then it was a fast run back to the house, dripping water all the way, a quick change of clothes and footwear and I was off again on the longer but safer route around by Main Street’s turreted bridge. And really thankful to find, on reaching our tennis court rink, that no one had witnessed my drenching or my dripping exit from the river
I’ve often thought that my two sons, who were transported in heated vehicles to indoor rinks with dressing rooms and toilets facilities during their dozen school years in organized hockey and never played a skirmish game on an open pond or river, missed so much in physical conditioning! All the fun of walking a couple of miles to play other area teams and often helping shovel an outdoor rink when you got there for a game at which we’d be lucky to have a referee, never even expect a linesman. It sure helped built self-reliance, certain survival skills and endurance, though, if nothing else!
