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Country and Western In Memoriam Memories Movie History Music Music History Writing

Bob Nolan’s Inspiration

Hatfield Point Funeral Brings Back Memories of Bob Nolan

I had expected more Southern New Brunswick country music entertainers to attend a funeral in Hatfield Point two Saturdays ago.

The name in the obituaries that week filled me with a sense of deja vu: Robert Nobles, his place of birth, Hatfield Point. According to a brief bio, although born at the point his family had moved with him to Massachusetts when he was four. He was 89 when he died in Holliston, MA on Oct. 14 making the year of his leaving N.B. 1921. Another Robert Nobles, a cousin it was explained to me, had lived with his grandparents at Hatfield Point from the time he was three until he was 12. The Point’s Baptist Church from which the service was held overlooks the beautiful Belleisle from a high hill,

This Bob Nobles with a brother younger brother Earle had left there a year earlier in1920, to live with an aunt near Boston in that same state. Joining their father in Arizona a years later they found their family name had been legally changed to Nolan. Bob claimed his father had it done because Nolan sounded more ‘western’. That Robert Nolan would grow up to become a founding member of the Pioneer Trio, later the Sons Of The Pioneers. The other two singer songwriters were Tim Spencer and Leonard Slye, a name Hollywood studios signing him would change to Dick Weston, then Roy Rogers.

Bob Nolan would eventually become internationally famous for penning such western classics as Tumbling Tumbleweeds, Cool Water, Touch of God’s Hand along with scores of others including two of my all-time favourites: Song Of The Bandit and Echoes From The Hills. Many of the songs would be used in the 79 movies in which he and the Sons of The Pioneers would back western action stars of the 1930’s to 1950’s: stars of the calibre of Charles Starrett, Ken Maynard, Gene Autry, Dick Forin and, of course, Roy Rogers.

A study two decades ago published a statement that Cool Water at that time had been recorded by more different groups and solo artists than any other song. Those included blues artists, rock ‘n roll bands, jazz ensembles and choral groups. In a letter to an aunt in Hatfield Point Bob wrote that when he composed that song he was thinking of the cold, cl;ear spring on his grandparent’s farm. What a claim to fame for this province! But, as so often, we waited to milk the fame of it.

In the 1980’s when our provincial parliament was planning a Come Home To NB Year I suggested Bob’s wife, his brother and daughter: some of our most famous ex-patriots were being invited, all expenses paid. I was assured they would given a priority and lent them biographies, newspaper and magazine articles I’d collected. Bob had died on June 16, 1980. They assured me they would be returned. When I checked two months later I was told they hadn’t been able to locate even one of the three. With just six phone calls in 24 hours I had located and talked with all three. When I called the Come Home Committee spokesperson I was told it was too late, all funds had been allocated. Although I made requests I never saw my loaned items again.

Every country music history book written until a half decade ago, listed Bob as born in New Brunswick and Roy Rogers on his weekly TV show often said Bob had been born just a few miles from Saint John New Brunswick, Canada. When I asked his brother Earle if he was sure they had been born at Hatfield Point he said he was sure he had been but on a visit to the Point in 1938 he’d heard a suggestion that Bob might have been born somewhere else. Winnipeg perhaps. Bob, however, when he’d asked him, said he’d no recollection of living anywhere in Canada but Hatfield Point.

An Elizabeth MacDonald in BC, engaged by the University of North Carolina to collect details of Bob Nolan’s life and to assemble all the songs written by him, in talking with relatives was told of the rumour. Regretfully I mentioned Winnipeg when she asked me. She then hired a professional researcher who found Bob’s birth certificate dated April 8, 1908, Winnipeg. He’d always thought he’d been born on April Fools’ Day. When Bob was elected to the International Songwriter’s Hall of Fame a half decade ago the mayor of Winnipeg and assorted Manitoba dignitaries were there to take bows. New Brunswick was never mentioned.

The Bob Nobles buried in the Point’s Bayview Cemetery on Oct 23, had led a very interesting life, as well. He returned every summer with his parents to holiday at the Point and continued that ritual with his own family. His wife, Lillian J. (McKellar) whom he married in Scotland during the Second World War, in 2006, was buried in the same family plot. A Rev. Boyd who had been pastor of Hatfield Baptist for a dozen years in a eulogy, spoke of Bob’s interesting military career. He had, in one phase of it, manned a listening station in Scotland, part of a code breaking team monitoring German U-Boat radio trans missions. When discovered he was Canadian born, however, he was immediately replaced. Evidently it was thought Canada harboured terrorists even then!

Most of his family had made the trip up. It was one of the warmest, most family oriented funerals I’ve ever attended. And there was lots of talk about the other Robert ‘Bob Nolan’ Nobles, as well.

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Event Music Visitors

A Few NB Country Music Hall of Famers

Part of the Board of Directors

From the left: Ivan Hicks, President; Vivian Hicks, Sectretary and Treasurer; Gary Morris, Director and idea man; Gerry Taylor, acting Vice President; with Tammy Morris (centre),  teacher, singer and  songwriter of musicals including on on the history of Sussex and the murals.

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Album Release Column Archives Concert Event Folk Music

Gordon Bok’s New Release

Other Eyes Released by Timberhead Music

The hook-up of our local folk music community with that of central Maine began with a wild drive from Saint John to Wolfville, N.S. one cool, clear October night in the late 1970’s.

The tale of that trip is still told now and then at the twice yearly gatherings of performers from those areas 32 years later. That trip became an all night odyssey. I was the driver.

Our Saint John folk Club had its first sing-around in September 1975. Its founder, the late John Murphy, whose death last September is still painfully lamented, Bob Wallace, our then club president and Moncton folk authority and performer Bernie Houlahan were among those who went with me.

Gordon Bok was appearing in Wolfville at Acadia University that night. We hoped to hire Gordon to perform a Saint John concert for our club. And despite a late start and holdups we got there for the concert’s entirety, talk to him afterwards and he put us on his spring tour schedule.

 That event at the New Brunswick Museum began a cross border coalition. Since then Gordon has returned many times for the gatherings, to perform a Bi-Capital fundraising concert (Bi-Imperial by its end) and take part in Jim Stewart’s Marco Polo Suite in 2002 at the Imperial.

 

Gordon Bok "Peter Kagan And The Wind"
Gordon Bok “Peter Kagan And The Wind”

I first encountered the name Gordon Bok on a Verve Folkway LP in the 1960’s. That CD became a much played favourite at our house, especially the song Fundy (our Fundy Bay) about those who navigate its thick fogs and treacherous tides. Then in 1972 I discovered Connecticut’s Folk Legacy label just after they’d released their first Gordon Bok record, Seal Djiril’s Hymn ‘sang and told with Ann Mayo Muir,’ another extraordinary talent.

In the next three decades, Gordon would gain international fame as a star on Folk-Legacy, accounting for a major part of the label’s revenues. He released numerous LP’s as a solo artist and as the pivot of a beloved trio he formed with Ann Mayo Muir and Ed Trickett as well as with other collaborations.

Some years ago, however, with the label’s founder Sandy Patton’s health failing, his wife Caroline suffering vision loss and their partner Lee Haggerty dying, Gordon acquired his masters back. So they are now all available, more impressive sounding than ever on pristine re-mastered Timberhead label CD discs.

A small Camden, Maine publishing company, Timberhead Music is centered around the preservation, promotion and proliferation of Gordon Bok’s written and recorded music. But they do publish work by other lyric poets and musicians as well, Jim Stewart’s Marco Polo Suite included in those. Gordon, himself, as he says “now unbelievably 70′ continues to record, his voice still virtually as rich a bass baritone as when I first heard him and he has the same uniquely sensitive interpretative instrumental skills that combined have made him the definitive voice of the US east coast. In April of this year Gordon released a new album of 15 very focused songs Other Eyes, in some cases poems like The Beaches of Lukannon, by Rudyard Kipling (an intimate of Gordon’s grandfather, Edward Bok) set to music. All are songs that view man with conceivable believability through non-human eyes. The eyes of animals like Bold Reynolds, a fox who outruns hunters and hounds into old age, the eyes of feathered observers as in The Bird Rock,Heron Croon, Gulls of Morning, and those whodwell in waters both deep and shallow:The Seals and even the fishes from The Net.

 

With Jim Stewart of Saint John NB of Marco Polo Suite Fame
With Jim Stewart of Saint John NB of Marco Polo Suite Fame

A long time mutual acquaintance, Scott Alarik, a performer and folk music reviewer for The Boston Globe wrote of this CD that: ‘Gordon Bok has a special genius for showing us the world through other eyes. In this beautifully conceived album he explores how the natural world sees us…offering visions at once earthly and ethereal, stunningly fresh and as old as tradition. Among the finest folk ballad singers this country has produced, Bok’s glorious bass voice has softened and warmed with age, like a fine old cello, drawing us closer into the spells he casts.’

Other selections on this CD include Captive Water, Sarabande’s Story, The Maiden Hind, Spell To bring Lost Creatures Home, Ocean Station Bravo, The Brandy Tree, The Shepherd’s Call and Sherry’s Song.

His most recent release before Other Eyes was a terrific, Gordon Bok In Concert, his only live album except for the trio’s, Minneapolis Concert in 1987. This solo CD will open your eyes, however, through your ears to Gordon’s warmer, more humorous side. Also to the deep connection he shares with his audiences. I was amazed a few years ago by the reaction of a couple of friends we took to a Bok Muir Trickett concert at Payne Hall on the Harvard University campus. Not even aware of traditional balladry as it turned out, they were incredulous at such a large capacity audience singing along unhesitatingly with the trio on songs they had never heard of let alone heard. Not commercial radio or even CBC fare now!

The introduction to the comedic Irish ballad Queer Bungo Rye for instance, a salute to Nova Scotia’s Canso Strait, The Angellus, the nostalgic Where The Cane Fires Burn, and an inspired rendering of Let The Lower Lights Be Burninjg, the rare Oystershell Road and boisterous Scottish Hie Awa with it’s introduction make this a music experience you’ll want to relive often, all 16 songs interspersed with humour and stories.

There is also the Bok Trio’s 1994 Language Of The Heart CD,its incredibly beautiful title song written by Rothesay’s Jim Stewart and Moncton’s Bernie Houlahan. Jim’s Marco Polo song is included as well and such beauties as Blue Mountain, Stephen Foster, Merlin’s Waltz and Ballinderry. The 15 tracks on it are all so beautiful.

 

Bok Trio Minneapolis Concert
Bok Trio Minneapolis Concert

And 15 also on Harbours Of Home by Gordon, Ed and Ann, including such exquisite jems as Australian Henry Lawson’s The Outside Track, Scotsman Dave Goulder’s Pigs Can See The Wind, TheGreat Valley’s Harvest, a lyrical treasure Jim Stewart and Gordon joined talents to write We Built This Old Ship, John Austin Martin’s entrancing Dancing At Whitsum, J.B. Goodenough’s Turning Of The Year and the title song by another favoured singer songwriter Joan Sprung.

Also in the Timberhead catalogue is the trio’s Turning Toward The Morning which includes two masterpieces of Gordon’s own, Isle Au Haut Lullaby and the title song plus such stirring emotional gems as Three Score And Ten, I Drew My Ship, Gentle Annie,How Can I Keep From Singing and six others.

These and many more of this world’s most thrilling folk CDs are available for only $16 US…some cassettes for only $5…by visiting www.timberheadmusic.com/

ST. ANDREWS TONIGHT, SUSSEX SATURDAY

St. Andrews area singer, songwriter and multi-instrumentalist Adam Olmstead made quite a stir in the media three years ago with his first CD, A. G. Olmstead. Media icons heard in that album of original songs glimmers of the songwriting talents of the Mississippi blue yodeller Jimmie Rodgers and the late 40’s Hank Williams. Local CBCs and even Saturday Mornings’ Stan Carew interviewed and sang his praises.

But, although Adam has slipped out of sight of the media since then he has continued to perform regularly at the Red Herring Pub in St. Andrews. In fact, he is playing there tonight 6 to 9 p.m. And through the summer he’ll be playing there weekly at that time slot, singing old favourites, songs he’s written accompanying himself on any of the ten instruments he plays, often joined by Al Brisley, a gifted local musician. He also has a new CD recorded, ready to be mastered for release in late summer.

This Saturday night at 7 p.m. Adam will also be the featured entertainer at Sussex’s popular Broadway Cafe, performing old timey favourites, bluegrass and classic country, along with many of his own songs.

GARY BURGESS BENEFIT CONCERT

Gary Burgess’ many fans will be saddened to learn he has been diagnosed with cancer and is to begin treatments. Gary has hosted many fundraisers for others in the years he has headed Sussex Corner Jamborees. Now the Friends of Gary Burgess are hosting one for him on June 27 at the Canadian Legion Branch #20, Sussex on June 27. It will feature Art Boyd, Tom Burgess, Mike McQuarrie, Raymond Thebeau and guests. Mike Whalen will emcee. Dave Stewart and Jim McDermott are handling sound. Admission is a donation at the door.

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Concert Country and Western Event Festival Folk Music Uncategorized Visitors

Eve Goldberg and Cori Brewster

SAINT JOHN MENS CHOIR June13th, 7:30pm at Portland United Church, 50 Newport.  Tickets are $15.00 for adults and $10.00 for children/students and can be purchased from chorus members or at the door.

It sounds like  such an interesting and varied song list to be grouped together in one program. Especially interesting (to me) is She Dwelt Among The Untrodden Ways which  I can’t recall ever having heard of or heard and sounds so intriguing.

TEEN IRISH MUSIC PRODIGY JOINS VALLEY JAMBOREE SATURDAY

Gary Morris is back filled more with the spirit of the Celt     than ever!

He, with wife and music partner Tammy Morris, survived   a five week tour of Europe and the UK, the last days spent in Ireland. Now that land of the shamrock, hedgerows, ancient standing stones and music so impressed him evidently, that even before leaving its green shores he had booked this province’s most exciting Irish ancestry fiddling teen,15 year old Kathleen Gorey-McSorley to appear on his Valley Jamboree, this Saturday,7 p.m. at Sussex Regional High.

But since that jet-setting pair of singing multi-talented musicians didn’t touch back down on Canada’s terra firma until last Wednesday Gary’s guest list was far from complete by my deadline. So, as well as Kathleen, the only other acts confirmed were: the Bonny Kilburn Dancers, Port City Jamboree multi-instrumentalist Reg Gallant, and everybody’s favourite country fiddler Allison Inch whom Gary invariably introduces as ‘the nicest man on earth.”

Gary, however, is on record as saying there will be several more guests and all the show’s regulars will appear: Tammy, Jeannie Clark and Cheryl Ellis, who are three of NB”s finest vocalists; comedian Eunice P. Doolittle; singing bassist Dale Butland; lead guitarist Art Boyd and the rest of the great Valley Jamboree band.

Now Kathleen is a celebrated master of Celtic, Appalachian, Old Time, Country, Cajun and French Canadian fiddling styles. But she also plays piano, mandolin and tin-whistles, is an award-winning Irish dancer and acclaimed Cape Breton step dancer. And, now, as a member of the New Brunswick Youth Orchestra, she also has a growing classical violin repertoire.

And, although only 15, she already has had considerable international exposure of her talents, having performed in Ireland, Scotland, the US and many parts of Canada. A couple of the highlights of her travels have been: competing, by invitation, in the Fleadh Cheoil na hEireann at County Offlaly, Ireland and the Canadian Grand Masters Fiddling Championships in Ottawa.

Tickets for Saturday’s Jamboree are now for sale at Hampton Pharmasave; Kennebecasis Drugs (Rothesay) Grand Bay Pharmacy, Colpitts (Petticodiac) and Morris Music (Sussex, Rothesay and Saint John).

SUSSEX CORNER SATURDAY

Gary Burgess & Friends host a Sussex Corner Country Jamboree Fund raiser, this Saturday 7 p.m. at St. John’s United Church Hall., Sussex Corner. This is their last show until fall so don’t miss it!Featured entertainers include Debbie Connell, Justin Bannister, Gordon Brown, Paul and Francine Hebert and in his first stage appearance in a while, George Horton. The band includes: Denny James, Tom Burgess, Mike McQuarrie and Raymond Thebeau. Tickets are $7.50 at Backstage Music Sussex (433-2122) or at door. Most shows are sell-outs so get your tickets early. The sound is by Dave Stewart and Jim McDermott of Backstage.

HILLSBOROUGH COUNTRY SATURDAY

A Country Music Jamboree, Saturday 7 p.m. at the Kiwanis Center, Hillborough, hosted by Carolyn Steeves, features the Blue Side of Lonesome band with guests Mort Mills, Al Gauvin, Cecil Beck, Melissa Corey and Mike Kenny. Admission is $6 at door. For info phone 756-8303.

FREDERICTON RAY PRICE TONIGHT

Your last chance, perhaps ever in NB, to see and hear one of Nashville’s great legends Ray Price and his superb world renowned voice, his son Cliff and band The Cherokee Cowboys, is tonight at 7 p.m. at the Playhouse, Fredericton. Tickets will be available at door if any left. To check, call 458-8344 or 1-866-884-5800.

HAMPTON VINTAGE TONIGHT

One of the greatest singer songwriters, I think, in North America is appearing at Vintage Bistro, Hampton tonight at 8 p.m. Eve Goldberg for over a decade has been associated with Canada’s leading

folk music label Borealis Records in Toronto. It is an opinion I was recently pleased to learn is shared by a world renowned authority, legendary singer songwriter Peggy Seeger who said recently “I love Eve’s singing…and I’m hard to please.”

(Peggy, a US citizen and her husband Ian MacColl a Scot lived for many years prior to his death in the UK unwelcome in the US because of their perceived Communistic leanings, anti-Vietnam war activities and music which reflected the same. They released dozens of recordings, many heralded even in the USA as of outstanding historical significance. Among songs they wrote is The Ballad of Springhill about Nova Scotia’s disastrous 1958 mine disaster. I had the pleasure of talking with Peggy in Springhill at the 50th Anniversary of that tragedy two years ago. I had spoken briefly with her before at Harvard University on the eve of Ronald Reagan’s first presidential election).

Eve Goldberg will share the Vintage Bistro stage tonight with Cori Brewster, another Canadian singer songwriter described ‘as fresh as a breath of mountain air.’ She has just released her fourth CD album Buffalo Street, a collection of song stories about the Canadian Rockies and it’s people, historical portraits rich in atmospheric imagery and entertaining details.

Eve was born in the Boston area of Massachusetts but has called Toronto, Ontario, home for three decades, since 1981. During those early years in Boston she was greatly influenced by countless concerts she attended by such legends as Pete Seeger and The Weavers, Arlo Guthrie, England’s Watersons, Doc Watson and others with her parents. That exposure to many folk genres has influenced her own many sided songwriting and added to her performing repertoire.

Eve’s three CD albums have a place of high regard in our extensive music library. Her first titled Ever Brightening Day was released to widespread acclaim in 1998 on her own Sweet Patootie label. Although noted for her clear pure voice and dynamic guitar picking it was an original instrumental on it, Watermelon Sorbet, that brought her the most fame. It was used by CBC Radio’s Richardson’s Roundup as an opening theme for many years,. Among other standouts on the disc were Backwater Blues (by Bessie Smith), Waiting For A Train (Eve’s not Jimmie Rodgers’), John McHutcheon’s Know When To Move and Shelley Posen’s Having A Drink With Jane.

Her second CD album Crossing The Water was a highlight of 2003 on the Borealis label. It included not only the most beautiful rendering of the Bill Staines title song I’ve heard, but the most stirring recording of Second World War women’s protest song Rosie The Riveter I’ve heard as well. And her version of Iris De Ment’s Mama’s Opry was among our most played tracks that year.

Her third release, second on Borealis, in 2007, A Kinder Season was tempered by her mother’s death just months before. All 12 songs are originals written by Eve. They include Leaving Nova Scotia, One In A Million and Been In The Storm.

A little bit of a tie-in: early in her Toronto residency Eve was a member of the Acoustic Harvest Folk Club whose numbers included former Saint John Folk Club performer Lillian Wauthier. Lillian still posts the monthly events on the Harvest website.

By the way, Ron Hynes is at Vintage Bistro, June 23 and Garnett Rogers is there June 25-26. Call 832-1212 for details. The Bistro now seats 100 in dining comfort.

.RED HEAD GOSPEL SUNDAY

A terrific Country Gospel Concert this Sunday, 7 p.m. at the Red Head United Church, Red Head Road, Saint John East features Hazel Marie Robertson, Allison Inch, Living Water Trio, Garth Jones, Shirley McFee, Greg Stevens, The Villageaires, Deek McClusky, Elizabeth Trecartin, Ed ( The Glue) Trecartin and Murray Shiels. Tickets are $10 at Lotte Convenience, Mike’s Jewelery, and from Vince Galbraith 672-8819.

HAMPTON PORT CITY SUNDAY

A Hampton Senior Resource Center Benefit Concert featuring Reg Gallant’s Port City Jamboree cast, takes place Sunday 2 to 4 p.m at the Center, Demille Court, Hampton. The cast includes the Port Jamboree band of: Reg, lead guitar and vocals; Walter Prosser, bass guitar; Tim Wallace,drums; C.J. Gallant, guitar and vocals; Allison Inch, fiddle. As well as backing two of NB’s greatest gospel singers, Hazel Marie Robertson and Norma Currie, they will each make solo spotlights. And many door prizes donated by sponsors of this show, will be given away. Tickets are $10 at Kennebecasis Drugs (Rothesay), Grand Bay Pharmacy, Beats & Bytes (Saint John East), Hampton Pharmasave, Len Tonge 832-5009 or Backstage Music, Sussex.

GROVE DECK OPENS SATURDAY

Saint John’s only strictly country music club, the Grove Lounge on Golden Grove Road opens their deck this Saturday, 1 p.m. There will be music by Joyce Boone, Delbert Worden, Matthew O’Connor, and proprietor Gene O’Connor. There’ll be two barbeques, open mikes, many prizes. Everyone invited, no cover charge.

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Column Archives Concert Event Music

Ray Price in New Brunswick June 2010

Ray Price Recalls His Days with Hank Williams and Elvis

I recently had the pleasure of a half hour talk with legendary country star Ray Price, a very real pleasure as it turned out!

Sean Eyre of Rocklands Entertainment, Ray’s tour management, had told me the 84 year old country music giant for 60 of his years had ‘just stepped out of the shower’ when he patched me through.

So we were a few minutes into the interview when I realized, hearing voices behind him, he wasn’t at home.

“You’re on a bus!” I exclaimed, “not in Texas?”

“And Dorothy’s not in Kansas either,” I almost added but caught myself: it was my first conversation with Ray Price after all. Had I known he had such a warm ready sense of humour I would have added it, however.”

“No,” he replied laughing, “we’re just a couple of hours out of Nashville. The Cherokee Cowboys and I are due at Warner Brothers by noon to film our part in a TV super special.”

Imagine Ray Price at 84, doing media interviews from his bus, facing days of filming and recording in Nashville with a cross-Canada tour looming just weeks away! A tour, in fact, that starts here at Saint John’s Imperial Theatre next Tuesday, 7 p.m.! That June 8 concert will be his first in the Maritimes in 45 years! And, as a special treat, his son Cliff is his opening act! So if you haven’t got tickets yet, get them quick. There’s not many left. Visit the Imperial box office, phone 674-4100, 1-800-323-7469 or go to web-site www.imperialtheatre.ca.

Ray’s at the Playhouse in Fredericton Thursday, June 10, also, but I understand that concert is nearly sold out. To check call 458-8344 or 1-866-884-5800 or visit the Playhouse box office.

Born Ray Noble Price on a farm near Perryville. Texas in 1926, Ray moved to Dallas with his mother when her parents divorced but spent time back on the farm with his dad, during school holidays. After a stint as a US Marine in World War 11, he enrolled in North Texas Agriculture College intending to become a veterinarian. But writing songs and performing at college events led to a steady gig at Roy’s House Cafe near the campus, and other venues.

He made his debut as a radio entertainer in 1948 over KRBC in Abilene, then moved back to Dallas and the Big D Jamboree, a radio show with network connections. A single he released on the Nashville based Bullet label caused ripples in late 1949. His smooth rich voice with it’s deep emotional undertones so impressed Peer-Southern executive Troy Martin that he arranged a contract for Ray with Columbia Records in 1951.

Hank Williams Sr. became interested in him about that time as well. I knew of a ‘leg up’ Hank had given Ray during his early years in Nashville.

“I don’t know how that came about. He just sort of took me under his wing,” Ray said. “Not only did he take me along on the road but he gave me name billing on the shows, even wrote a song with me Weary Blues he gave me to record.”

That song sold well enough for Ray to be invited to join the Grand Ole Opry cast in 1952.

“For a time Hank and I even shared a house, a two story stone duplex, me up, him down. And he even let me use his Drifting Cowboys as my band. His death that New Year’s Eve in 1953 came as an even greater shock to me than to most because of that closeness. He was always telling people I was going to be No.1. I used the Drifting Cowboys as my band after Hank died, hoping to keep his memory alive I guess, not wanting to admit that he was gone. And even after I formed my own band, the Cherokee Cowboys, I kept his steel guitarist Don Helms and fiddler Jerry Rivers with me. We became like brothers. We built houses next to each other and lived in them for 14 years.”

Arguably the world’s greatest country singer, Ray with his magnificent show-stopping voice became a leader himself as the 1950’s progressed and on his way to the top took country music from it’s honky-tonk period through some revolutionary changes.

I reminded him that in 1956 when rock ‘n’ roll threatened to erase country from the charts it was his rendition of Crazy Arms that knocked Elvis Presley off those charts. That song stayed on top for 45 weeks. And it has been credited as the song that got people listening to country again.

“Yes, and that is strange in itself because, as Hank Williams was the one who did it for me, I’d given Elvis his first leg up in turn,” he said.

That was startling news. I hadn’t heard that story before.

“Elvis was born in Tupelo, Mississippi early in 1935,” Ray said “but his family moved to Memphis when he was 13. His parents were very religious: he’d sang with them at revival meetings, gospel concerts and churches.

“In Memphis he started hanging around Oscar Davis’ place where I was appearing Friday nights. I heard him singing along in the audience one night and got him up on stage. It became a regular weekly thing. And it was his first experience singing for a country audience but people loved him. With us he quickly got over any nervousness he’d felt on stage. Soon he was sharing Eddy Arnold’s manager Colonel Tom Parker, appearing on the Louisiana Hayride, touring with Hank Snow and Johnny Cash and releasing hit after hit on the prestigious RCA label.

Like Hank Williams, Ray has always had an ear for new talent. He and his Cherokee Cowboys have nourished incredible talents like Roger Miller, Willie Nelson and Johnny Paycheck among their numbers. Ray himself has immeasurably grown country music’s audience with his ever evolving tempo innovations and image. He realized early that it would have to appeal to a wider population segment to survive commercially.

Accordingly he began to take country to a non-country audience seeking to erase boundaries as Hank Williams had done. He ditched any pretension of a cowboy image, began appearing on stage in dress suits as though every gig were a Carnegie concert. And the subterfuge worked for his ballads while attracting a wider audience still breathed of the Texas soil.

“Even today,” Brian Edwards, Rocklands’ CEO says, “he comes out on stage impeccably dressed, waits for the band’s intro, then opens his mouth and out comes the same magnificent voice he had in his thirties. At 84 he is absolutely incredible.”

That’s the voice you’ll hear Tuesday if you’re lucky enough to get tickets. The rich, unmistakable voice that drove an amazing 108 singles to the top of country and pop charts.

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Column Archives Music Writing

Ned Landry honoured at St Thomas

Ned Landry among Distinguished Three Honoured by St. Thomas.

Stompin' Tom Connors and Ned Landry
Stompin’ Tom Connors and Ned Landry

Some of the most exciting events in New Brunswick’s long romance with the fiddle are taking place this summer!

And this past weekend folks who flocked to Harvey saw the kick off of it — the 100thAnniversary of Don Messer’s birth in the village of Tweedside near there on May 9, 1909. That event was the first of several to take place celebrating Messer’s life and the integral part he played in popularizing the Down East style of fiddle music through his network radio and television shows, Canada-wide summer tours and performing forays into the US as early as the 1930s.

And last Sunday at St. Thomas University in Fredericton three time North American fiddle champion Ned Landry, who began his long career with Don Messer’s New Brunswick Lumberjacks in 1934, was bestowed with an honorary doctorate by St. Thomas University at their 99th Convocation. Ned, born Frederick Lawrence Landry on February 2, 1921 in Saint John is a recipient of the Order of Canada and has also been honored with lifetime achievement awards by the Canadian Grand Masters Fiddling Championships which named a trophy after him and the East Coast Music Awards. He is an inductee of the North American Fiddling Hall of Fame (in their New York State Shrine), the New Brunswick Country Music Hall of Fame and the Nova Scotia Country Music Hall Of Fame. He has had a biography Master Of The Fiddle published of his life as well as many magazine and newspaper articles. Last year tunes he composed were a subject of a study at fiddle camps throughout Maine.

Ned credits his wife Mildred, who recently suffered a critical heart attack for providing the spark that led to the bestowal of his St. Thomas University doctorate. At a Miramichi concert last summer Mildred seated in the audience beside Professor Shanahan told him of Ned’s many accomplishments and his significant contributions to the world of music, noting that Ned’s cousin Tom Connors — Stompin’ Tom had received two honorary doctorates, the first one from St. Thomas in 1993. That was the stimulus that led to this honor being bestowed on him. As Ned said at the impressive reception and banquet, at the University’s spacious Conference Centre the previous night that although he, an 88 year old veteran of the Second World War, had only a grade five education, he was now a doctor — at least, an honorary one. That statement and his performance of a tune he recently composed, the STU (St. Thomas University) Special, both drew applause from the distinguished audience which included the faculty and the two others receiving honorary degrees at this year’s Convocation: First Nation’s writer, educator and actor Lee Maracle and the president of the Oblate School Of Theology in San Antonio, Texas, Rev. Ron Rolheiser, the author of 15 books of religious insight.