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Folk In Memoriam Local History Memories Music

John Murphy, arts community losses

IN MEMORIAM…AMONG THOSE WHO LEFT US IN 2009

Looking back at the year 2009, it seems New Brunswick, the southern half particular, was more bereaved by deaths in our musical community than in most recent years. Among those were:

John with Anna singing at home in Hampton

JOHN DOUGLAS JAMES MURPHY

In September 1975, John Murphy who had immigrated from England a year before, with his wife Pip (Susan), visited The Telegraph-Journal offices. He had just accepted a position as an art teacher in the Saint John area. He wanted to insert a notice of a meeting to form a folk club, such as he’d belonged to in London.

John, as it turned out played guitar and button accordion and had a very distinctive voice. Along with others who had a love of folk music I became a regular. At first it was sing a-rounds but in a few months John decided some were gifted enough to stage concerts. Admission monies raised were pooled, used later to book local name artists for special concerts, Ned Landry, Lutia and Paul Lauzon, Jim Clark and others were early featured stars.These were successful enough that in a couple of years the club was booking such famous acts as Ladies Choice Bluegrass, Stan Rogers, the National String Band, even international acts like Gordon Bok.

Bok, a Camden, Maine, musician and singer was Folk Legacy Records mainstay with over a dozen albums released in the US. A twice yearly link-up was forged between his close-knit group of Belfast to Rockland, Maine performers and our Saint John Folk Club. Out of our club a quartet, Hal an Tow emerged that became the trio of John, Bernie Houlihan and Jim Stewart. They won acclaim here and abroad with a recording, the Marco Polo Suite, for which Jim wrote the score and lyrics. The trio, also, appeared on The National Film Board’s Marco Polo: The Queen of The Seas

Another trio to emerge from our ranks was Dawg’s Breakfast (a.k.a. Exploding Do-Nuts)…Stan Carew, Costas Halavracos and Bill Preeper…all CBC Radio staffers. Preeper and Steve Sellars, a duo, were featured on an ATV New Faces episode, as were Valerie MacDonald, who staged monthly Hampton coffee-houses, and Debbie Harrity. Another trio, Windjammer…Paul McCavour, Kevin Daye and Gayle Vincent (Katie Daye when Gayle dropped out,)…emerged and a Fredericton folk club was a spin-off.

In the mid-1980’s the Saint John Folk Club ceased to exist but remnants continued to interact with the Maine folk-scene.

John Murphy became active in school mural art projects and in school musicals. He also appeared in various local stage productions, involved himself with various local fund-raisers, became active with Amnesty International, visited Africa and helped bring about Hampton’s partnership with the Swaziland community of Piggs Peak.

He died very unexpectedly while driving into Saint John Regional Hospital in mid-September. Those of us who attended a three-day music gathering at his home only weeks before, received the news with utter disbelief. To all appearances John had been his usual imperturbable self, He is already sadly missed not only in Hampton, his home for over 30 years, but beyond. Many from Maine and England attended his Sept. 21 funeral.

A colourful and remarkably detailed mural entitled Article 26: The Right To Education, unveiled Dec 10, 2009 on the Hampton High School exterior has John’s picture at the top with other NB human right luminaries, symbols and visages, depicted across its wide expanse.

JOHN ‘EARL’ MCGINNIS

Canada Day 2009 brought sad news: John, known to most as Earl, McGinnis had died the day before at home in Norton. He was 89 but was one of those people who seem eternal. For over 30 years Earl coached the Norton Kings hockey team and was a die-hard Montreal Canadiens fan. Many of us, however, loved him for his vast repertoire of old Irish ballads, a treasure shared with his brother Willie who predeceased him. Together and individually they were hits at early variety shows in Norton, Hampton and Sussex. Austin, one of his sons, has led a country music dance band in that area for many years. Earl and his wife of 63 years, Beatrice, had two sons and three daughters. Austin’s son Darren, one of Earl’s 12 grandchildren, is now a rising young Canadian country singer with a manager and booker. In recent years Earl frequently joined Austin and Darren to perform on country shows as Three Generations of McGinnises. But for a few of us our most cherished memories of Earl were of him singing The Croppy Boy and other Irish songs at Randy Vail’s maple sugar, pancake nights on Bull Moose Hill. Although his passing left a gap Earl will live on in the memories of all who knew him.

HELEN GRACE SMITH

Another major loss occurred Aug.31 with Helen Smith’s death. She was 88, a petite woman but full of energy and spirit who once at 16, while still with chicken pox, walked five miles across Kennebecasis River ice, Summerville to Drury Cove, to play with Don Messer at a 1937 Saint John concert. Although only four-foot six, never more than 70 pounds and a widow, she had lived in her own Long Reach, Kingston Peninsula home until a week before her death when she moved to Kings Way Care Centre, Quispamsis. Friends described her as ‘comical, the life of the party and someone drawn to music like a magnet.’ She played ukelele first then guitar. Later she studied fiddle with Winston Crawford and was a member of the Maritime Fiddle Association. Her son Fraser, a singing guitarist and daughter Sylvia Campbell, a yodeling singer, who plays guitar and fiddle, organize the Long Reach Kitchen Party concerts. Helen performed on one just before moving to Kings Way. It was the second 2009 Smith family tragedy: Fraser’s son, Evan, 23, died in a snowmobile accident Feb.28.

ALLIE B. PRATT

Allie Pratt, is another that is impossible to imagine gone, even though she was 84, I had talked with her at a Tom Connors concert just weeks before her death Oct.1. She had invited Carol and I to her next Allie Oop music weekend, a gathering of musicians and fans at her home in Lower Greenwich. They were events that often saw over 300 show up to camp and enjoy barbeques, meals and music. Allie played several instruments and only two weeks before had received a standing ovation at the Grand Bay KBM. She was a CWAC staff car driver in WW 2. At the time of her 1972 retirement she had served 38 years as operator/supervisor with NBTel. I met Allie at the early Valley Jamborees which she often video-taped. We had been her guests at dinner theatres and restaurants

ROBERT ‘BOB’ CRAWFORD

Well-known, multi-instrumentalist, Bob Crawford, passed away at his Sussex home on Dec.22 with his wife Helen, sons Shaun and Christopher, brothers Winston, Frank and Richard there to mourn. I first met Bob at a Saint John fiddling competition: he was his brother Winston’s guitar accompanist a role he reprised just months later when Winston won a Maritime Fiddling Championship in Dartmouth. A bout with polio when he was four resulted in Bob walking with a limp but he never let it slow him down. He was energetic and resourceful in both his daytime employments and the music which fueled his zest for life. Bob enjoyed playing with numerous musical friends in duos, trios or multiple bands but especially as part of the Crawford Brothers & Friends and with his sons. Over the years he taught many to various instruments. He was just 61 when he died, after a six month battle with cancer.

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Categories
2008 Performers Folk Jazz

Making a mark (Hill) in time at Chet’s Convention

“What on earth is he doing?”

markhillphoto08smGuitarist Mark Hill’s Up Home Tonight audition in the mid-80’s probably still exists in the dark recesses of some ATV film vault. What is not recorded on it is went on behind the camera such as that query by producer/ director Barry Bramhill.

“Unbelievable, but he’s finger picking the melody on the treble strings,” the show’s host, Gordon Stobbe, an amazing instrumentalist himself, explained, “and a split second later, picking it on the bass strings with his thumb.”

“Is that humanly possible?” Barry asked.

“Well, that’s what we’re seeing and hearing,” Gordon said.

It was the first expression of utter amazement I’d heard in all the auditions I’d sat in on with them, auditions that brought so many extraordinary musicians and singers out of the proverbial woodwork.

markhillcdcover08It’s that rare dexterity of mind and hand that Mark exhibits playing his interpretation of Moulin Rouge, its fingered melody with the thumb picking that sounds like an overdub so exquisite I nearly forget how beautiful Zsa Zsa Gabor looked singing it in the original 1954 movie of the same name. It’s one of twelve instrumentals on his new CD A Mark In Time he took copies of to the Chet Atkins Appreciation Society (CAAS) Convention at Sheraton Music City Hotel near Opryland this week, July 9-12.

Mark paraded his great diversity before the ATV audition camera that day….classical, standard, Chet Atkin’s style country, Lenny Breau jazziness, Jerry Reid poker club blues picking!

That diversity and exquisite simplicity is what brought Mark to the attention of so many at the Convention last year after US reviewer Palmer Moore enthusiastically praised his 2006 release Mark Hill Picks On Chet. He rhapsodized:

‘I am so excited to announce a new name (and certified Chet nut) to fans in the Chet Circle… Mark Hill! He’s from the Canadian Maritimes and one heck of a picker. His dad taught him how to play Chet tunes early and, even though he has progressed through heavy classical and jazz studies, he never forgot his love of the thumb picking stuff his dad left in his head.

‘After years of professionally playing jazz, flamenco and blues with a fairly successful band he formed with his brother Steve (the Hills brothers Blues Band) it was his dad that suggested he might drop back and record some Chet music which he did.’ Which led to that review.

‘Will he ever have a loud stage act like Emanuel or Dykes and do world tours? Probably not!’ he continues. ‘Could he hold his own with either of those two or with Richard Smith? I’m sure he could! Will we ever see him at the CAAS Annual Convention in Nashville? I sure hope so and I hope he sells a ton of these Hill Picks On Chet CDs.’

Well, maybe Mark didn’t quite sell a ton last year at this event but he did sell a bunch and, more importantly, he says, met a lot of Nashville’s top guitar session players and was greatly encouraged by their interest and praise and the thrill of being invited back.

Mark’s new album, A Mark In Time is a mixture of up beat and slow tempo tunes, carefully chosen and brilliantly performed. Besides the title tune, El Senteio, Oscar’s Walk, Hubbard’s Cubbard (a little music word play on Mother’s Hubbard’s Cupboard) and the rollicking, joy filled Twin Pipe Papa (Ohio Romp) are all gems that reflect Mark’s genius as a composer.

And his interpretations of such world favourites as Paganini’s Rhapsody, Limehouse Blues, Three Little Words, Cascade and Don McLean’s Vincent are incredibly meticulous and inspired, his version of Paul Yandell’s Coming Home shows how well Mark can straight pick and then break into such great single line improvising.

Backing Mark’s elegant guitar work, his brother Steve plays drums, percussion and harmonica, Brian Baker bass and mandolin and Pete Belliveau, who engineered the CD, percussion,as well. It was produced by Dave Hill. The beautiful cover design is by Steve Hill, a former artist and cartoonist with this paper.

The Chet Atkins Appreciation Convention Mark is attending…it started yesterday and continues through Saturday…was founded in 1983 by an extreme Atkins fan Jim Ferron. It yearly attracts hundreds of the world’s best finger pickers so to stand out you have to have something special! Locally A Mark In Time will be available at Backstreet Records, Saint John.